In the post-The Smiths final few years of the late 1980's, there was a uniformity to jangle-pop. Many American bands were joining the R.E.M / Miracle Legion / Pylon college rock party just too late and swathes of British/Irish bands such as The Mighty Lemon Drops, The Frank and Walters, The Chesterfields, The Mock Turtles, 1000 Yard Stare and the The Corn Dollies were enjoying the new post Morrissey / Post-Punk licence to provide non-suicide jangle. Even Half Man Biscuit Half Biscuit were augmenting the total irreverent irrelevance of their pop-culture diatribes with the sounds of the era's jangle-pop.