Whilst all notable musical trendies in my early 1990's student days were either trying to desperately suppress their middle class privilege by wearing scruffy clothes and going crazy for obscure grunge bands or trying to accentuate their pseudo intellectualism by loving all things Sarah Records...I somehow found myself more besotted with a German label called Marsh Marigold after hearing 50 000 000 Elvis Fans Can't Be Wrong's track Amelia.
